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Open Category Entries
AMOS Art Competition 2008 - Open Category - A sample of the entries
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Work |
Artist | Description |
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Treasures to protect
The ocean…… as frantic as can be, has an energy which only few can see.
The ocean is mystic, and artistic, and one comprehends it with a mind which is realistic. Wondrous are the ocean colours, That can spread as a rainbow’s rays, across the elegant horizon. The sky and the sea are one, when mother Nature’s flavours are combined from sea and atmosphere. The ocean waters have many inhabitants, which are threatened by the earthly combatants of the sea. Here we are! And we must accept: the deadly consequence of losing atmosphere and ocean, when we don’t show the right emotion. Let’s protect these treasures, by taking the correct measures, let’s protect them and in turn avoid catastrophic mayhem. |
Poly Stavrou |
My poem "Treasures to protect" depicts the spiritual and materialistic connection of sea and atmosphere. The message of this poem is directed to all: if the ocean's "treasures" are destroyed then the atmosphere, and environment will suffer simultaneously. |
| Jeanie Clark |
The oceans are both under threat and places of refuge. The dolphins represent the most intelligent life in the oceans – but like humans, there are different “cultures” and “races” represented by four different dolphins. Humans introduce threats to their lives – represented by the net. The oceans provide their sustenance – represented by the school of fish. At the base of all food webs are the plants. Our world, like the dolphins, is predominantly a Blue Earth. |
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Kathryn Harrison |
When you stare at the sky you experience the colour, movement and touch. It is a feeling of flying. It is sad when we stop looking. |
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Three Gulls
When liquid horizon laps at ocean’s rim, When dusky clouds congeal into forceful furrows of fury,
When beaded moonlight mists shrouds of darkness And slumbering ocean softly inhales and exhales, Night-time begins to dream. The moon trawls a sea-bed of light, Shivering ocean surface at once dappled liquid sand. Silver fish dart soundlessly across shimmering waves, before dissolving into shadows. The night is a fathomless ocean and starlight spikes its meniscused surface. These light piercings are fragile, and each penetrating beam trembles As the massive weight of water wobbles and shifts above. Through this depth plummets gleaming silver. Wings span and stretch until the sole drifter alofts onto moonlight. Shining beak slices The blackness but sound is swallowed by darkness. The lamenting wail of wind echoes Its lost cry. Wheeling, weightless moonbeam wings: Sinking star. |
Sonya Wellby | In composing "Three Gulls", I sought to portray the varied moods of nature through describing, in each stanza, the same scene with the same basic components (the seagull, the ocean and the sky). In this way, I was able to emphasis the role of the atmosphere, the state of which was ultimately responsible for the dramatic shifts in tone seen in each stanza (as firstly occurs in the calm created by the absence of wind, followed by the impact of a storm and, lastly, in the mystery of night, in which the atmosphere becomes something altogether different). |

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